Showing posts with label serial killers. Show all posts
Showing posts with label serial killers. Show all posts

Tuesday, June 10, 2025

Wow! Fiction at its Finest - Not Like Us: An Ilse Beck FBI Suspense Thriller - Book 1 by Ava Strong!

...She had no piercings, and only a single tattoo around her wrist. She glanced down at it, rubbing at the long sleeve of her sweater. The tattoo was visible just beneath the cuff, looping her wrist like a handcuff or a manacle. The words of the tattoo read:

  Take captive every thought...


“Vicarious resolution to trauma,” Ilse murmured softly, answering the thoughts reverberating in her mind. “Projecting interpersonal control on tangential issues.” Dust and dirt crunched beneath her feet as she took the trail, following it along the old concrete barriers lining the nighttime road. “Stupid,” she added at last, channeling her inner Agent Sawyer. “Really, really stupid.” The streets were empty; the night stretched above and stared down, watchful of the vacant trails. Ilse rubbed at her arms, feeling a chill seep through the soft fabric of her baggy hoodie. This was not a good idea. How had a quick trip for a bite to eat turned into something so stupid? And yet, even as she thought it, she continued marching on, eyes ahead, taking the portion of the dirt road that ran parallel to the highway itself, on the other side of the concrete barrier. A trained psychologist. A licensed therapist. And yet, still, she ignored her own counsel—maybe she’d been too hard on some of her patients over the years. The ones who’d ignored her completely and beaten their own path. She shivered, remembering how some of those stories had ended. But still, she marched along the old dirt road, arms at her side now, swinging like pendulums. It had been a while since she’d gotten some decent cardio in. She picked up the pace a bit, speed-walking and breathing in slow, steady patterns. Fear was a liar. Fear was her enemy. Sometimes, it seemed, even more than her history, her father—even more than Hilda Mueller’s memories. Fear was the true threat. Stupid though this was, a small part of her felt like this was the only way… No more cowering behind locked doors and shuttered windows. No more double- and triple-checking locks… well, perhaps that would be a harder habit to break. But she refused for fear to be the motivator now. Refused to allow it to control and manipulate as it so often did. As she stalked along the old road, the same road the killer had been hunting, the same road where two women had been killed, where Samantha had been kidnapped, she could feel the fear rising like a cloud over her. Despite her best intentions, despite her desire to face it head on, fear was stretching across her like a blanket, weighing her movements, suppressing her thoughts, strangling the life from every moment of natural vitality, trying to drown her in sheer panic. “No,” Ilse said, simply. “No!” she repeated, louder into the dark. Headlights suddenly flashed over the top of the hill, moving down past the concrete barrier. Ilse’s heart skipped a beat. She waited, breathing heavily, watching as the car slid past. For a moment, it almost seemed to stall, the engine grumbling loudly in the night, echoing and reverberating off the concrete barrier. But then the headlights shifted, and the vehicle picked up the pace again, growling and speeding away. Ilse breathed a bit easier, watching the taillights blink back toward her like the red eyes of some sentinel demon. Where had the other bodies come from? She stopped moving for a second, standing on the old dusty trail, frowning to herself. The FBI was tracking down the identities of the other victims they’d found in that basement. Ilse shivered. Where had they come from? This road too? More hitchhikers? More unsuspecting victims? Ilse gritted her teeth and shook her head, marching forward again. Take captive every thought… She mouthed the phrase, picking up her pace until she was jogging now, kicking up dust and darting under the splayed branches and shivering shadows across the dusty road. Another car’s lights flashed behind her, this one coming from the opposite direction. Again, the vehicle seemed to slow… Ilse paused, looking back. Her heart skipped a beat, watching as the car moved through the gap between the opposite highways. It paused beneath a clearly marked No-U-turn sign. A cop? Not a cop. No, a truck. An old, flatbed truck. It came across three empty lanes, pulling from the sheer opposite side of the highway and coming to a crunching halt next to the barrier. The headlights illuminated her, shining bright, and Ilse could feel the oppressive cloud of fear now turn into a cold trickle rattling down her spine. For a moment, breathing heavily, she came to another halt, facing the bright lights, squinting against the glare, listening to the steady rumble of the truck’s engine. A second later, the lights clicked off, and a hand waved out of the front driver’s side. “H—hello?” Ilse said, hesitantly, staring toward the waving, fluttering hand. “Need a ride?” a voice called from inside the truck. A faint, gravelly voice, like a smoker’s. Hard to make out, though. Ilse could feel her feet rooted to the spot, could feel the familiar chill rising up her spine. Her mind flashed with images of basements and postcards and dead pigeons. Her teeth set and she stared at the greasy windshield. The fear was slowly met by a rising sense of sheer fury. Righteous indignation that went as deep as her bones. The man’s outline was hard to determine through the windshield. Though it looked like he might have been wearing a baseball cap. For a moment, Ilse thought of Agent Tom Sawyer. For another moment, she felt a shiver of surprise at how much she missed the lanky, silver-haired BAU agent. Missed him, and especially his gun. Alone on the open highway, witnessed only by the moon, Ilse forced one frozen foot forward. Her hands trembled horribly as she did, but she refused to back down now. She was here for a reason. No more postcards, no more haunting memories. She wasn’t a little girl anymore. “Hi,” Ilse said, finding her voice surprisingly steady despite her inner turmoil. “Can I help you?” The same road. The same road the killer had been hunting. The same road. Ilse blinked and watched as the man in the baseball cap gave a soft little chuckle. It smelled, perhaps, like cigarette smoke wafting from the front of the vehicle. “Thought maybe I could help you,” he called back. Ilse shivered, rubbing her elbows through her thick sweater. She shifted uncomfortably on the road, feeling trapped for a moment. Her hand went to her pocket, where she’d placed her keys, and she felt the comforting, hefty weight of the ring of metal. She paused, though, hesitant. Where was her pepper spray? She glanced down, frowning. The little plastic container was missing. Where had it gone? She froze now, double-checking her pocket, then her keys. The pepper spray was missing. Panic began to set in. Her sheer exhaustion weighed heavy, and the momentum of her choices up to this moment pressed on her. Abort. She needed to abort. This was a terrible idea. Unarmed, defenseless… Her hand tightened around the keys, and she took another step toward the truck despite her thoughts. “Just saw your car back that way,” the man said, waving a hand over his shoulder. “Did you break down?” Ilse swallowed once. “Yes,” she lied. Leave! Get out of there! But she ignored her subconscious. She’d come too far. She was too tired to try again. Sometimes risks were necessary. Besides… she had a plan, didn’t she? She swallowed, hand tightening further around the keys. Where had she lost her pepper spray? “Tough luck. Well, wanted to be a good citizen. Need a lift anywhere? I’m in no rush.” Ilse exhaled slowly. What sort of folk were in no rush at midnight? Most, perhaps. But on the other hand, what sort of folk pulled over to the side of the road at midnight for a stranger? The man seemed friendly enough, though his voice came muffled from the front of the cabin, and his hand—which still dangled out the window—seemed limp. But still… Ilse hadn’t come here for fear. Just five minutes. Always five minutes. What could it hurt? The keys were good enough, weren’t they? She’d defended herself with far less as a child. She could only imagine the absolute gold strike a set of keys would have been back in that basement. “Unknown… Brown eyes… Six victims…” “What was that?” “Nothing. Yeah, I could use a ride. Thanks!” She’d said it. She’d committed. Damn it. Ilse circled to the passenger side of the truck. Before she could reach the handle, she heard the click of locks, and the driver reached across, shoving the door open. His smile flashed beneath a baseball cap, his features wreathed in shadow as he waved at her, gesturing for her to get in. A very pronounced smile. Almost an intentional thing. More a leer than anything. Ilse, though, refused to allow her feet to command her actions. When they again seemed intent on rooting to the concrete, she forced herself up the small metal rung into the front of the truck, and slid into the passenger side. Inside the cabin it was surprisingly clean. She detected the faint scent of air freshener, trying to hide the odor of cigarette smoke. “Mind shutting that?” the man said. Ilse nodded numbly. Stupid! Don’t be stupid! Stupid! Don’t be stupid! She ignored her own thoughts and shut the door. A second later, the lock clicked. “Sorry,” the man said. “Locks are finicky.” He brushed off any chance at anxiety with a wink and another smile. “Where can I take you?” he asked. The man’s chin was covered in stubble, and he smelled of smoke and lavender from the air freshener. Two little dice dangled from his mirror, cottony, fluffy things. In the rearview mirror, Ilse noticed two strange canisters sitting on the back seat and… there, tucked beneath the canisters, she spotted what looked like the hilt of a bowie knife. She swallowed, glancing toward the locked door, her fingers trailing down the cool glass, touching against the metal handle inside the cabin. But she’d come this far. No backing out now. The same road. Don’t be stupid. The same road. Don’t be stupid. She ignored the thoughts again. “Oh, just to Three Lakes,” she said. “That work for you?” “Dandy,” the man said with a nod and a wink. “Buckle up.” He waited expectantly, a sort of hungry look in his eyes as she reached with a quavering hand toward the buckle past her shoulder and then pulled it, locking it in place. Alone, trapped, watched by a stranger with just a bit too much eagerness. She felt like a specimen, the way Dr. Mitchell sometimes made her feel. But where Donovan’s attention was on her behalf, examining to help, to aid and care for, this man’s attention seemed of an entirely different and far more selfish variety. Once she was buckled, the truck began to move, heading in the exact opposite direction it had been going before, taking her back toward town. “Kinda late to be out on your own, isn’t it?” the man asked in a light, airy tone. Ilse’s eyes fixed on the road. “Wanted some fresh air,” she murmured. “Know what’s wrong with your car?” “I’m not really a car person.” “Oh… Well, I am. I can take a look if you’d like.” Ilse swallowed. “No… No, that’s fine. If you could just take me back to town.” “Sure, sure, whatever you want.” He shot her a sidelong glance, his eyes lingering on her face for a moment and then shifting down, taking more of her in. Ilse stiffened in her seat, locked in place, feeling like an animal in a zoo, trapped in a cage. “You know, I don’t do this for just anyone,” the man said, still conversationally. “I had somewhere to be—the opposite direction actually. But, you know, I suppose I can help a fellow citizen out.” He reached over and patted her on the leg. His hand lingered for a bit longer. She glanced in the rearview mirror again, her eyes on the hilt of what she was certain was a bowie knife. She pictured the way he’d smiled, leering as she’d entered his truck. A smile on the top of a note paper. A smile of corpses. A smile from a driver who picked her up on the same road where two women had been killed. Though she felt like she was doing something monumentally stupid… And it was that. Stupid. She also wasn’t an idiot. She knew when a coincidence became more than that. She shivered as his hand trailed from her thigh. “Thank you for the ride,” she said, stiffly. “You know… Maybe if you just let me off here, I can walk.” “What? No, don’t be silly. All sorts of strange guys are out this time of night. A pretty little thing like you? It’s just five minutes that way. I’ve got you.” The easy, carefree tone had grown sort of strained now. The man was breathing a bit heavier, his eyes hooded beneath his cap as he stared at the road. Ilse’s fingers pressed against her ring of keys, holding them tight, bunched up in her hand nearest the door. Her thigh felt slick and oily and gross from where his fingers had trailed. Maybe he was just being friendly? Maybe he was just a bit too touchy… Was it all in her head? The man was whistling softly now, fiddling with the radio, turning the station to a crooning love ballad. It came crackling and low over the car’s janky speakers. “There we go, that’s the right mood, yeah?” He chuckled a bit as the love song echoed in the cabin. A prickle spread along Ilse’s arms. She glanced toward the locked door again. “Where you from—you never even told me your name,” he said, speaking a bit louder now. Instead of friendly and curious, it came across as demanding. She shifted. “Ilse,” she said. “Ilse. My ex was named Ilse, you know.” He let out a little shuddering breath accompanied by a wiggle of his thick shoulders against seat leather. “She had a mouth on her, I’ll tell you. A real, real pretty mouth. If you catch my drift…” He glanced at her, his eyes lingering on her lips. This time, he didn’t even try to look away, but instead met her gaze and winked. “Hey,” he said suddenly. “I gotta take a leak. You can watch if you like.” He gave a grunting little laugh. “Just hang tight one sec, all right?” He pulled the truck sharply over to the side of the road, moving to a rest stop with a blacked out safety light. The truck trundled over asphalt and loose gravel, crunching in its path behind a low grove and against a metal rail blocking the rest stop from the rest of the road. “What are you doing?” Ilse said, quickly. “I gotta piss,” he replied, waving a hand dismissively. “Won’t take but a second. I never do. Sit tight, won’t you?” And then they pulled to a full stop in the darkest, most hidden section of the rest stop, shielded by a metal railing and low trees from the rest of the highway. The man put the vehicle in park, and—for a moment—it seemed like he was double-checking the doors were locked. Then, smiling, he turned to face her...

~~~


Sawyer tapped Ilse on the arm. Before he could indicate she follow, though, she stepped past him and quickly moved ahead. Then, without looking back, she beckoned him with a crook of her finger. He blinked after her for a moment as she strode away, the photo clutched in one hand. Despite himself, a small smile crept across his lips. He hid it in a cough, though, and then followed Dr. Beck out of the precinct. Was she right after all? What were the odds? Had she remembered Samantha Wright’s words correctly? Had Ms. Wright remembered the past correctly? Somewhere out there, Samantha’s time was running out. They didn’t have another lead. Maybe there was a chance… a chance of a chance. Maybe, just maybe, they had a chance at finding this old abductor’s address. Active for twenty years… Sawyer shivered, frowning as he did. He wouldn’t make it personal. Couldn’t allow it. But even for him, the thought made his skin crawl. He could only hope Dr. Beck was right. Otherwise, things were looking grim for Samantha Wright. CHAPTER EIGHTEEN The gloomy, overcast weather marked the horizon as Ilse watched Agent Sawyer drive through the narrow roads south of the city. At least this time, he’d allowed her a seat up front, though he’d seemed reluctant to do so. Ilse’s eyes kept darting from the printed photo in her hand to the road ahead of them. The GPS from Agent Sawyer’s phone kept chirping. His eyes were fixed on the road. As they traversed beneath gray skies, Agent Sawyer murmured, “Tell me again why we can’t use your phone’s GPS?” This was the first he’d spoken to her in the nearly twenty-minute drive south from the station. She cleared her throat delicately, glancing toward the lanky form of the BAU agent. “I have a dumb phone,” she murmured. “It doesn’t have GPS.” She pulled out her old flip phone to show it to him. He glanced over, then returned his attention back to the road. A few moments passed, but then, to her surprise, he spoke again. “You’re not a drug dealer, are you?” It took her a second to realize he was joking. “Umm, no. I just like the phone. Not a big fan of technology. I have a wood-burning stove back home, actually.” She wasn’t sure why she’d volunteered this last part. But for some reason it seemed to prompt a ghost of a smile on Agent Sawyer’s normally dour lips. “I see,” he said. They drifted off into silence again, and Ilse did her best not to shoot glances in his direction. A strange case study, Agent Tom Sawyer. Named, it seemed, after a character from a novel. A novel written by an author who’d hidden his name. Samuel Clemens to Mark Twain. Not too unlike Hilda Mueller to Ilse Beck. Maybe the two of them had something in common after all. However small though it was. “There we are,” Sawyer murmured, nodding through the windshield to an old, dead field a second before the GPS chirped, Arriving at destination on your left. Sawyer piloted the vehicle smoothly onto the dirt road, past the broken, dusty field. The car jolted and bumped. A branch had fallen, forcing Sawyer to veer off into the dirt and then back onto the road, kicking up a cloud of dust which wafted to meet the gray, glaring skies. In the distance, through the dust and past the low-hanging, arching boughs, withered much in the same way as the surrounding fields, a creepy scene confronted them. A vacant, abandoned farm. The fields were tell-tale, but the rusted, overgrown tractor and combine added to the desolate scene. Old farm equipment piled against the side of a large, red barn. Ilse glanced at the photograph in her hand, then tracing a finger, she pointed off behind an overgrown patch of forest. “The old shack should be back there,” she murmured in a faint voice, feeling a chill rise along her spine. The trees seemed larger, darker than they had from the main road. Now, as they trundled along toward the old barn, and the weathered farmhouse on the flat land, facing the dead field and the abandoned farm apparatus, Ilse could feel her mind flitting, sifting through the basement of her memories. Her fingers gripped each other, hard, and she swallowed, shivering against the rising thoughts. Agent Sawyer glanced at her. “You okay?” he said, quietly, his voice oddly gentle and gruff at the same time. “Fine,” she murmured. “The shack should be just past there.” No movement from the farmhouse. A flutter of birds who’d hidden out behind the rusted tractor scattered toward the sky as they drew nearer. A crackling, cracking sound arose from old sticks and dried boughs across the road as the sedan moved closer to their target. Suddenly, a loud bang. Then the car jolted to the left. Ilse yelped, but Sawyer cursed, slamming a hand to the top of the wheel and immediately bringing the car to the side of the road and throwing on the brake. “What was that?” Ilse demanded, her heart pounding as she glanced around, her eyes on the farmhouse, tracing to the barn, then back to the very edge of a weathered, but hidden building behind the overgrowth. “Flat tire,” Sawyer replied, kicking open his door and sliding his lanky legs out onto the dusty road. “Wait inside.” Ilse paused, then huffed. “Hang on,” she said, firmly, “I’m not staying here.” Sawyer looked through the window at her. “You’re not coming with. Stay in the car.” “Oh? And what if the killer sneaks up on me while you’re off searching the farm?” Sawyer paused for a moment, tongue in his cheek, but then sighed, gesturing at her. Ilse wasn’t sure if she’d wanted to win this particular battle. Locked behind the car’s doors seemed a safer location than anywhere on the farm. But she had to remind herself why she was here. Who she was here for. She pushed out of the vehicle, her eyes on the old, creepy fields, feeling suddenly very alone and isolated. She stepped delicately out onto the dirt road, exhaustion weighing heavily on every movement. She circled the front of the unmarked sedan and approached where Sawyer was on one knee, grumbling and poking with a pale finger at the front left wheel. “What happened?” Ilse said. “Nail,” he replied. He tapped a finger on a jutting metal spike in the tire. Already, the thing was deflated beyond use. “Damn it,” he growled, slapping a hand against the hood of the car. He turned, glancing along the trail, and then his frown deepened further. “What is it?” Ilse said, reading his expression. Instead of answering, he began to move carefully toward a portion of the road they’d passed. He pulled up short, staring down. One of his hands twitched toward the holster on his belt. “Agent Sawyer?” she pressed, peering in closer. Ilse looked past Sawyer’s form, his looming shadow cast as a dark streak against the gray road. There, dull and scattered across the ground, she spotted more nails, as well as screws and small jutting pieces of metal. They’d been left in a line across the dirt road...

~~~

I found myself intrigued by the title of this book--and still am. I think I understand, but I'm not quite sure who the "Us" is supposed to encompass... It could be the two lead characters who will clearly continue on in the series, or it also could related to the villains as well... I wish I knew for sure. It affects my own personal perspective of how I read the book... But, as they say, "It is what it is..." What I can tell you is that this author is set to keep readers guessing from the very first page. Even as you know a little about the background of Ilse Beck, the story does not lend regular clues that will confirm whether a reader is moving in the right direction. In fact, I thought the book was over, concluded, the FBI got their man... But the book was not finished yet...

I was stunned, even as I read... Be prepared because there is no way I'm even going to hint at the full scope and breadth of this suspense thriller. It can only be called one thing--Extraordinary!

At the same time, I sense a budding friendship or romance between Ilse Beck, who has become a renowned expert on serial killers and looks at her job as a psychologist to help those whose lives have been affected by these individuals in some way... In this book, she has already gained the respect of the local FBI Agent Sawyer, who seems to have connected by caring little about the work clothes they wear, if that makes sense... Both of them, however, are very interested in doing their job and when it connects, each takes the initiative to grab the lead for their respective expertise and won't back down from anything or anybody working to stop them... A dangerous dilemna for Ilse...

The local police are already involved with the disappearance of several women. However, it is only because Ilse has taken on a new client as recommended from her long-time teacher and mentor that she begins to think about serial killers... Samantha had been attacked 20 years ago, but has grown fearful that her attacker at that time is now looking for her again. Her fears, her memories--everything is coming back and she has sought out a psychologist to help her through her fears... Sam and Ilse have met for two sessions, but during the second meeting Ilse had realized that she was doubtful that a 20-year-old killer would still be looking for old victims so she found her own history coming into the picture much more than it should as Sam was describing where she had been held, what had taken place, and more...

So, it was quite a shock that at some time during the night, Ilse took a call from Sam. She was running, being followed and knew it was the same man who had attacked her... She was calling for help! Ilse immediately went into action, calling the police, getting dressed and drove directly to where Sam had last been when she'd lost contact. Of course, Ilse became ashamed that she had not given much concern that something was really happening, so there was no other choice, Ilse was going to work along with the police until Sam was found!

The book describes the basic methodology of building a case history on clients which I found fascinating, even if I could never hope to figure out how to use it... In any event, Ilse never kept records, which is one of the reasons she has so many clients come to her--less fear of their secret lives being exposed... However, now that Ilse was being asked for possible clues, perhaps based upon what information Sam had disclosed during the two sessions, she had to build up to accessing the few things covered thus far. Ilse used a rather strange method for calming herself. She would pick a serial killer and then review the basic statistics of that particular individual she had studied and set to memory. But, this time she was so upset that her mind was going over her own life, Sam's life, and the awareness that Sam could now be dead because Ilse had not paid her routine diligent attention to what the client was saying... A stress that just made everything more distressful... Readers will watch as she pulls herself together and proceeds to gain confidence again--perhaps with the helpful support she was being given by the FBI Agent?

Finally she remembered where and how Sam had been captured and held and with computer assistance, they began to discover possible locations where Sam was now being held... But would it be too late?

This novel is both informative and entertaining re the unfortunate number of serial killers in the world... It is clearly character driven with characters you will be watching closely as the series proceeds... Highly recommended

GABixlerReviews

Wednesday, May 17, 2023

James Patterson, with Maxine Paetro - Latest in Women's Murder Club - Club Members Threatened!

 


AS HE DROVE at the residential speed limit of twenty miles an hour, Blackout’s immediate plan had been to get off Taylor as fast as he reasonably could. He had taken the first left at Filbert, then turned up onto Leavenworth, passing the house where Catherine and Josie Fleet had lived. A man he recognized as Catherine’s husband, Brad Fleet, had been coming down the front steps. He’d looked both ways and, not seeing his wife and daughter, had no doubt assumed that Catherine and Josie were still in the park. Poor bastard. 

As police cars, sirens screaming, could be heard on the street below, Blackout proceeded to the location for his most important scene. Now, hours later, safe at home, he thought how long that drive had seemed with the woman and baby tucked away inside the trunk. And he’d had a few thoughts about the senior citizen who’d seen too much, lying dead on Taylor between two parked vehicles. 

He’d charged up his video glasses in the car as he drove and later, filmed the perfect ceremony for his victims—without interference. He’d felt peaceful. Reverent. That part, the end of their story, was one long four-minute shot that might be even more bittersweet with music. Something classical, he thought. Albinoni’s “Adagio in G Minor.” Better yet, Ravel’s Pavane for a Dead Princess. 

Yes, that was more appropriate, a fitting homage to a killer he’d often thought of as a teacher, almost a friend. He was sure his mentor would like the results of the day’s work and pictured him now: a superior executioner confined to a cell at San Quentin. A man named Evan Burke.

~~~


The main thought that continues in my mind at the ending of this new book was that here was a group of women, and men, who truly cared for others... And truly were committed to ensure their lives continue in this world where evil is constantly striving to win... The caring, sharing, ongoing contact within this team of those committed to various parts related to the legal system is written so well that we readers also feel empathically what is taking place in one of the most extraordinary novels for this series. Which is already a best seller.

I remember I read the first book or two of the series, but was so busy with requested reviews that I stopped reviewing for major authors... In fact, most of those major authors have been side-lined given the wealth of writers that are out there today, who, however, may have not yet won name identity... You will find many of those talked about, though, here at Book Readers Heaven. Just a thought! Take a risk, try some of the new writers out there as well... You will be pleasantly surprised with the quality of their writing!

Serial killers exist in reality; however, even more in novels... One of the reasons I spotlight the writers' spotlighting emotional involvement of the characters is because, the level of violence in the world is rising and, suddenly, we are more aware of how the level of violence, itself, is intensifying.

Patterson and Paetro have garnered both my appreciation for, and compliments for softening the novel through the characters fighting evil. For, surely, as we see two separate serial killers spotlighted, we find the callous disregard for human life... Too much of a "bad thing" is not necessarily good. To illustrate what I mean, I refuse to read true crime books, I have stopped watching Criminal Minds on television. The competition to see which writer can create the most heinous crimes has gone, in my opinion, too far. Too far in exploring the details that really don't need to be exposed as viewers root for the good guy over the bad buy, don't you think?

One of the members of the Women's Murder Club, has just released her book which is an authorized biography of a convicted serial killer, You Never Knew Me. It was Evan Burke who contacted Cindy Thomas, a local crime reporter, to write his story. Thomas was proud of her book; however, the actual interaction with Burke had been a traumatic experience for her, as she had to listen to all that he had done--and felt about it. Crime fiction is something I won't read, nor watch on TV... Cindy was repeatedly shocked by Burke’s ruthlessness, the pleasure he took in killing. Unable to wall herself off from the sickening details of his crimes, Cindy had come to know Evan Burke too well. And that knowledge had changed her. In fact, this is the very reason I won't expose myself to this type of writing.

Nevertheless, Cindy had taken on the project and needed to follow through with it, through the normal book tour process. At the first signing, there was a woman who began by questioning Cindy's position on the book.

“Open it,” she said. I clicked. The email was blank so I downloaded the video. Like the one Blackout had shot from the back seat of Hammer’s Camry, this was also as seen through the killer’s eyes. “Body cam?” I said. “Video glasses,” said Alvarez. “So says Rich’s tech.” “There,” I said, putting my finger on my computer screen just above a woman in a red tracksuit jogging toward the camera. There was sound: birds, wind through leaves, then, Blackout’s digitized voice, which was pulsing but clear. He said, “This is the kind of girl we like. Twenties. Limber. Strong.” 
I said, “We? Who is we?” Blackout called out to the runner, “Excuse me. I think I’m lost.” The young woman stopped running a few yards from Blackout, caught her breath, walked closer. She had chin-length, wavy brown hair, a pretty face. She asked Blackout, “Where do you want to go?” “Brooks Avenue,” said Blackout. “Where’d I go wrong?” Behind my shoulder Alvarez was watching as I reacted to the scene playing out on-screen. 
“Oh-my-God, oh-my-God,” I said. “This is last night’s victim.” The runner was looking at a map on Blackout’s phone, pointing out that he’d passed Brooks Avenue, tracing the correct direction on the screen. Our view changed. Blackout was looking up and around, as if he was visualizing the route, giving us a panoramic view of the Fuller Theological Seminary campus. There were lawns. Winding paths. Park benches. Sabal palms. But this was not a sightseeing tour for my benefit. Blackout was making sure the way was clear. His gloved hand dipped into the pocket of his black windbreaker and came out clenched around a small canister. The runner looked at it, puzzled. She didn’t know what it was. The gloved hand aimed the nozzle at her eyes and pressed the lever with his thumb. The woman shrieked, tried to clear her eyes with her hands and sleeves, but she had no chance against this man who reached for her. She backed up, stumbled, and dropped to the pavement. 
I gripped the edge of my desk as she cried out, but all I could see of the scuffle that followed was Blackout’s right hand clapped over her mouth, his left arm angling her into a carotid restraint hold. He formed a right angle with her neck in the crux between his forearm and biceps. He used his full weight to subdue her—and he squeezed. Alvarez and I watched in shock as the woman’s writhing and kicking stopped. The leather-gloved hand came off her mouth and she didn’t cry out. She was lifeless. Dead. Blackout stood, and again panned the campus before walking out the way he came. 
Sound came up, classical music I recognized as “Adagio for Strings.” Soft. Mournful. A dramatic bass line. Blackout’s view shifted upward as if he were looking through palm fronds overhead. In his digitized voice he said, “Dedicated to you, Mr. Burke.” The image of palm trees backlit by an indigo sky froze. Then faded to black.
~~~

While Cindy continued her tour, a second serial killer, calling himself Blackout, was responding to every book signing with a murder. Each action was caught on video, provided with sound and sent to Lindsay Boxer, homicide detective, who was lead on the case and who tells the story, first person.

It was very clear that Blackout was a fan of Evan Burke and was copying his life style, but with a clearly electronic upgrade... With each video that was sent, classical music apropo of that individual chosen was added as background.

This continued until the beginning of the ending... and Cindy herself was kidnapped! And Blackout's deal was that if Cindy started talking and telling him all that she knew about Burke, he would let her live...

And while all that was going on Yuki, the prosecutor of a domestic violence case was seeking attempted murder charges against the victim's husband. An appropriate twist, post the period beginning with Lolita, for example, of the inclusion of "being rough" during sex was explored, proved to create a gripping trial dialogue between the two lawyers, with Yuki of the Women's Murder club, getting the maximum decision from the jury...

Tension was getting higher, Lindsey even took time to visit with Dr. Greene, her psychiatrist. This discussion, actually more of a dialogue, allows us to see the personal turmoil, anger and rising temper as she's trying to deal with one of her best friends being captured and, undoubtedly, torture... And knowing the entire team was also sifting through every inch of information, trying to find out who the Hell was Blackout...


My line rang again. Bobby, manning the desk outside Brady’s office, called the radio room. He motioned to me, spinning a finger like a reel of tape on a spool. I understood. They’re on it. Blackout said, “Sergeant?” “Yes.” And I rephrased my last question to Blackout. “How’s Cindy?” 
“She’s not talking,” he said. It was an ambiguous answer, and I didn’t like it. I gave Conklin’s arm a reassuring squeeze. “She’ll talk to me if you let her,” I said. He didn’t reply. Instead, he talked about Cindy. “I read the book she wrote with Evan Burke. I read her first book, too. She was a remarkable writer.” Was? The past-tense usage was either deliberate or unconscious. Or both. 
“What are you saying?” I asked, as Conklin lunged toward the screen. “I envied her, you know,” he said. “I would have liked to be with Evan all those months she spent with him. What a lucky thing for her. Anyway. I’ve got to go.” There was the click of the phone hanging up, but the video still rolled. Blackout put on his glasses, looked at the shabby sofa. 
I caught a glimpse of Cindy but then she disappeared from the frame. Music came up, a dressed-up symphonic rendition of a pop song I remembered from childhood. My father sang it at odd times, in the car, around the house; singer Peggy Lee’s version of “Is That All There Is?” The lyrics were about disillusionment after important personal events. House fire. Circus. Falling in love. The second line of each chorus: “If that’s all there is my friends, then let’s keep dancing.” 
I’m a literal person and I wanted a literal answer, not an enigma wrapped in an old-time tune. Was Blackout saying he’d killed Cindy and that it was a big disappointment? Or that every life is a disappointment and that included Cindy’s? 
I looked at Alvarez. She shrugged sadly as the video feed cut out. 
A title card appeared on-screen. It was in a large bold Arial font, white letters centered on a black ground. It read, 
“Blackout out.”


Friday, July 8, 2016

Jennifer Chase Debuts New Lead Character - A Forensic Scientist - in Body of the Crime




I HATED THE CURIOUS AND often skeptical looks, which came from the audience in the gallery. I gently eased my body into the chair and faced them directly. It felt more like I was a participating target in a firing squad than a courtroom Shifting from side to side in the cushioned seat, I fidgeted with my tie. It was the only thing I could do under the circumstances. I waited patiently trying not to nervously tap my fingers. At least the chair was comfortable as I rested my forearms and hands on the armrest. It was not easy to avoid looking at the two burly sheriff deputy bailiffs stationed at the back corners of the room. They watched everyone with an extreme somber, statue-like presence. I was not even sure if they actually blinked or not.

 All eyes in the courtroom fixated on me. The room fell into complete silence. The audience readied themselves waiting for the show to begin. At least that was what I had imagined in my own mind.

I realized when the prosecutor had finally called my name to testify and the bailiff escorted me into the courtroom that I had forgotten to change my shoes. Dirt and mud had affixed deep into the crevices of the heavy-duty rubber soles, which donated little chunks of dried soil as I walked from the back of the courtroom to the witness area. There were little piles of mountain soil left behind with every stride. It looked like I had stolen shoes from a homeless person.

It was only yesterday that I had taken an extra-long walk down a wooded path that was barely passable even for the native wildlife, but I did not let the rugged terrain scare me out of adding another specimen to my collection of California sediment. In the process, my shoes sunk deep into the mud. At one point my foot had slipped from the left shoe and then plunged my sock-clad foot directly into the sticky muck.

I was all too aware of how disheveled I looked only two months before my fortieth birthday. It was not appealing. My appearance did not give the impression that I was an expert at anything, but somehow I managed to muddle through with an air of authority.

Crime scenes never lied, and it was my job to explain the scientific facts to the non-scientific community; but in the end, it was up to the jury to make the right choice of guilt or innocence. Twelve good people ultimately shouldered the justice burden, and I was just the messenger of facts— good or bad.
~~~


Body of the Crime:
A Chip Palmer Forensics Mystery

By Jennifer Chase


Whew! Jennifer Chaser has given us a winner with the debut of her new Chip Palmer Forensics Mystery series! It didn't take me long to recognize the main character possessed  some of the characteristics of the "King of the Lab Hodges from the Bones TV series...The main thing is that once you get Hodges involved with the Lab specimens for a case, you can't stop him from talking and working to fit the forensics puzzle together. Chip Palmer is an introvert by nature and by his job requirements. He has withdrawn from the world, lives in a home where nobody knows where it is and, of course, have never been invited there. It has been Palmer's effort to keep himself alive, since his forensics testimonies has caused many criminals to want him dead...

And one of those criminals has given his hitman the job...They call him "The Piper..."
Notoriously known as Peter “The Piper” in and around the underworld of mobsters and their minions, he relished the moniker. It fit him perfectly. He loved to be up close and personal with his targets and chose a pipe as his means of persuasion.







Readers will enjoy meeting 
The Piper... if you like serial killers...

But he's not the "main" serial killer of the story...

Ok, intuitively, I picked this killer out when he was first introduced... but that didn't mean I didn't keep second-guessing my choice. The book is complex; the characters are even more complex! Actually, we get not one, not two, but three psychopaths... Let's call the primary killer in the book Dexter for now... 

Along with a senior officer, Murphy, we meet a new officer who has been assigned to the case...

Special Investigator Kate Rawlins...and she was assigned to work with Chip Palmer rather than Murphy...She quickly figured out that Murphy didn't especially like Palmer and she, as the newbie, was the answer for him...to get the good doctor off his back...
The killer’s mind waffled back and forth, fighting itself. He wanted to burn the body and toss it down a ravine where it would never be discovered. The insatiable need also plagued him to meticulously prepare the body for the police and watch them fumble in their investigation— as they mostly did on other homicides. Soon the case would turn cold— they always did. That aspect excited him.
~~~
The woman was in a carefully posed position that told the story of an organized killer who was in complete control, but that was where the structured behavior of the murderer abruptly stopped. In a disturbing contrast, the horrifying viciousness of what was left of the bottom half of the body was the aftermath of a long, torturous assault from someone completely out of control. It suggested a perpetrator who lacked any impulse control and mental stability.
~~~

The cold cases were now back in the hot seat of the investigative division. Murphy had no choice now. The Flower Girl Murders had come back to haunt him. The day became worse, much worse.
~~~


Special Investigator Kate Rawlins
entered the conference room and

 immediately all heads turned in

 her direction. She was accustomed
 to people looking at her with
 curiosity. She knew the questions
 that were usually asked about
 her.   “ Did you know that you
 don’t look like a cop,” or 
“Did anyone ever tell you that
 you look like a model?"
Kate had heard it all before, and 
she
 was not interested in the 

persistent
 attention or useless flattery. 
She had paid her dues and
 worked her way up 
through the ranks...
~~~
I loved watching the developing relationship between Chip and Kate, and I used another fictional character, Kate Beckett, as the perfect woman to play this part! Kate is a gung-ho officer that moved quickly to get into her new case. But immediately Kate did see why Murphy paired her with Palmer... He had some idiosyncrasies that took time to get used to. But once Chip got into the case specifics, she could see the brilliancy of his mind as he went through the details of both the present and the cold cases that were discovered to be from the one killer and dubbed The Flower Girl killer who left a different type of flower held by each woman he'd killed...and posed... 

Soon they were easily working together and both were wondering about the other from a personal side. Chip more than Kate was fearful she wouldn't even consider him, given her beauty and expert work plus his job, his interests, and his personality issues... I am sooooo looking forward to seeing them in future books!

Both Kate and Chip are in personal danger while they are working on The Flower Girl Killer! Action is hot and heavy and readers will have to be on their toes to keep up with who is doing what to whom! Bad guys characters are easily asking to be hated while Kate, Chip and Murphy are each uniquely drawn and demanding of readers' attention!

And wouldn't you know it, Kate is the first-ever visitor to Chip's home!

Of course, it's not the murders that are so intriguing--it is Chase's spin on her characters, how they play their roles, and how they work to solve the case... After all, it is all in the body, that will lead to solving the mysteries! Loved this one--one of Chase's best, especially for a new series!


GABixlerReviews



Jennifer ChaseThe love that author Jennifer Chase has for books and writing began with the weekly trips that her mom would take with her to the local library. Jennifer would load up her arms with books and spend the week pouring over them until the next visit brought the opportunity to discover even more authors and stories. Before long, she was taking pen to paper and a lifelong connection with creating characters and plotlines was made.

Jennifer has found her niche in the writing world by integrating another passion, criminology, into her work. She holds a bachelors degree in police forensics and a masters in criminology, academic pursuits that developed out of her curiosity about the criminal mind as well as from her own experience with a violent sociopath, providing Jennifer with deep personal investment in every story she tells. She also holds certifications in serial crime and criminal profiling and is a proud member of the International Association of Forensic Criminologists.

This research background has assisted Jennifer in writing multiple crime thrillers, including Compulsion, Dead Game, Silent Partner, Dark Mind and Dead Burn, earning multiple readers' choice awards and other accolades along the way, including a recent gold medal awarded for Dead Burn by a panel of professionals in the publishing industry as part of the International Book Awards. She also has published a non-fiction book, How to Write a Screenplay, which offers a step-by-step guide to this special craft. In addition to her own writing work, Jennifer does some consulting work in the criminology field.

Jennifer Chase was born and raised in California and still lives there with her husband, dogs and cats. In addition to writing and consulting, Jennifer enjoys spending time outdoors, both at the beach and hiking, and engaging in some amateur photography.

www.authorjenniferchase.com/