Showing posts with label Karin Slaughter. Show all posts
Showing posts with label Karin Slaughter. Show all posts

Friday, May 8, 2026

Meet the Author Writing the Will Trent TV Stories - A Fantastic Program and Author! - Karen Slaughter Presents Unseen! - With Playlist!

She tried to put herself in the shooter’s head, figure out what he was thinking. Two cops. Both with guns they hadn’t used. One was on the floor. The other hadn’t moved, hadn’t shot back, hadn’t screamed or jumped out the window or charged him.


I had a pleasant surprise when I picked up this book by Karen Slaughter, one of the best authors that is now writing! And when I learned that she was also behind the Will Trent TV program, I understood... You see, I've been watching this program, I think, since it came on television. But I had noticed just how much more complex and involved they were becoming. Seriously, quite a difference. I didn't take the time to do the research as to when Slaughter became involved, but I will say that the last shows of one of my routinely watched cop programs were much better than I'd remember there being... Whether or not Slaughter was a contributor to that improvement is really not relevant--it's enough to report that Will Trent has certainly improved as time has gone on... I'm loving it! The characters are outstanding and the closeness of the individuals in this particular group of officers is a wonderful contrast to the reality we see as we watch ICE work to destroy our neighborhoods... Especially since the cast is a pleasant group of multi-racial individuals who reveal no biases or prejudices against others in the show... It's a relief to watch the normal lives of all citizens as they play roles on normal entertainment events...



THURSDAY - ATLANTA, GEORGIA 

Hospital elevators were notoriously unreliable, but Dr. Sara Linton felt that the ones at Atlanta’s Grady Memorial were particularly creaky. Still, like a gambling addict hitting a slot machine, she punched the button every time on the off chance that the doors would open. “Come on,” Sara mumbled, staring at the numbers above the doors, willing them to hit seven. She waited, hands tucked into the pockets of her white lab coat as the digital display showed ten, then nine, then stayed at a solid eight. Sara tapped her foot. She looked at her watch. And then she felt her body fill with dread as she saw Oliver Gittings trotting toward her. As a pediatric attending in Grady Hospital’s emergency room, Sara was in charge of several students who—despite some evidence to the contrary—assumed that one day they would become doctors. Night shifts were particularly tedious. There was something about the moon that turned their little brains into mush. Sara often wondered how some of them managed to dress themselves, let alone get into medical school. Oliver Gittings was one of the better examples. Or worse, as the case tended to be. In the last eight hours, he’d already spilled a urine sample on himself and accidentally sewn a sterile cloth onto the sleeve of his lab coat. At least she hoped it was accidental. He called, “Dr. Linton—” “This way,” Sara told him, giving up on the elevator and heading toward the stairs. “I’m glad I found you.” Oliver ran after her like an eager puppy. “An interesting case came up.” Oliver thought all of his cases were interesting. She said, “Give me the highlights.” “Six-year-old girl,” he began, pulling on the exit door twice before realizing that it opened outward. “Mom says the girl woke her up in the middle of the night for some water. They’re going down the stairs. The girl starts to fall. Mom grabs her arm. Something pops. The girl starts screaming. Mom rushes her here.” Sara took the lead down the stairs. She guessed, “X-ray showed a spiral fracture?” “Yes. The girl had a bruise on her arm here—” Sara glanced back to see where he indicated. “So, you suspect abuse. Did you order a skeletal survey?” 

“Yes, but radiology is backed up. My shift is almost over. I thought I’d go ahead and call D-FACS to get things moving.” Sara abruptly stopped her descent. The Division of Family and Children’s Services. She asked, “You want to go ahead and put the kid in the system?” Oliver shrugged, as if this was nothing. “The girl’s too quiet. Mom’s antsy, irritated. All she wants to know is when they can leave.” “How long have they been here?” “I dunno. I think she was triaged around one.” Sara looked at her watch. “It’s 5:58 in the morning. They’ve been here all night. I’d want to leave, too. What else?” For the first time, Oliver seemed to doubt himself. “Well, the fracture—” Sara continued down the stairs. “No specific fracture is pathognomonic to child abuse. You call D-FACS and it’s a legal matter. If this mother is an abuser, you want to make sure she doesn’t get away with it. You need corroborating evidence. Does the girl seem scared of her mother? Does she look you in the eye and answer questions? Are there other bruises? Developmental delays? Continence issues? Is there a history of ER visits? How did she present otherwise?” Oliver didn’t immediately answer. Sara prompted, “Is she healthy? Well nourished?” “Yes, but—” “Stop.” Sara wasn’t looking for a discussion. She checked her watch again. “Dr. Connor is taking over for me, but you’ve got all of my numbers. Order the skeletal survey to see if there are any past breaks or fractures. Notify security to keep an eye on the mom. Call the other ERs to see if the girl’s ever been admitted.” Sara moderated her tone, trying to make it clear she was teaching him something, not punishing him. “Oliver, sixty-five percent of child abuse cases are flagged in emergency rooms. If you stay in pediatrics, this is the sort of thing you’re going to be dealing with on a weekly basis. I’m not saying you’re wrong. I’m just saying you need to know all the facts before you turn this girl’s life upside down. And her mother’s.” 

“Yes, ma’am.” He headed down the stairs, hands tucked deep into his coat pockets. Sara didn’t immediately follow, cognizant that Oliver’s ego was fragile enough without her snapping at his heels. Instead, she sat on the bottom stair and checked her hospital BlackBerry. Sara’s eyes threatened to roll back in her head as she scrolled through the administrative detritus littering her mailbox. Meetings, conferences, denied requisitions, and new procedures for requisitioning, attending conferences, and scheduling meetings. She felt around in her other pocket and traded the BlackBerry for her personal phone. This was much better. Her father had emailed a silly joke about snails that he’d heard at the Waffle House. Her mother had forwarded a recipe that was never going to happen. There was a long email from her sister with a picture of Sara’s niece attached. She marked this unread and saved it for later. The next message was a text from Sara’s boyfriend. An hour ago, he’d sent her a photo of his breakfast: six mini chocolate doughnuts, an egg and cheese biscuit, and a large Coke. Sara didn’t know which one of them was going to have a heart attack first. The door popped open. Dr. Felix Connor stuck his head into the stairwell. He eyed Sara suspiciously. “Why do you look so happy?” “Because I can go home now that you’re finally here?” “Gimme a minute to hit the can.” Sara dropped the phone back into her pocket as she stood. Oliver wasn’t the only one who wanted to get out of here. Sara had pulled several night shifts in a row courtesy of a stomach flu that was running rampant through the hospital. She was beginning to feel punished for her own good health. Home. Sleep. Silence. She was already making plans as she walked through the ER. Thanks to her crazy work schedule, Sara had four full days of freedom ahead of her. She could read a book. Take a run with her dogs. Remind her boyfriend why they were together. This last bit widened her smile considerably. She got some curious looks in return. Not many people were happy to find themselves at Grady, which was the only publicly funded hospital left in Atlanta. The staff tended to take on the hardened demeanor of combat veterans. If practicing medicine was an uphill battle, working at Grady was on par with Guadalcanal. Stabbings, beatings, poisonings, rapes, shootings, murders, drug overdoses. And that was just pediatrics. Sara stopped at the computer by the nurses’ station. She pulled up Oliver’s patient on the monitor. The X-ray clearly showed where the child’s right humerus had been twisted. Either the mom was being truthful about what had happened on the stairs or she was savvy enough to fabricate a believable lie. Sara looked up, scanning the open-curtain area, which was predictably filled with repeat customers. Several drunks were sleeping off benders. There was a junkie who threatened to kill himself every time he got arrested and an older homeless woman who belonged in a mental hospital but knew how to game the system so she could stay on the streets. Oliver’s little girl was curled up asleep on the last gurney. Her mother was in a chair beside her. She was sleeping, too, but her hand was laced through her daughter’s. She hadn’t yet noticed the security guard standing a few feet away. Not for the first time, Sara wished that nature had devised a system to alert the rest of the world to people who were abusing children. A scarlet letter. A mark of the beast. Some sign that let decent people know these monsters couldn’t be trusted. Up until a few years ago, Sara had lived in a small town four hours south of Atlanta. She’d done double duty as the county’s pediatrician and medical examiner. Her father liked to joke that between Sara’s two jobs, she got them coming and going. While this was certainly true, too many times, Sara had been put in the position of witnessing firsthand the awful things people could do to children. The X-rays that showed repeatedly broken bones. The dental records revealing teeth that had rotted from neglect. The skin that was forever marked from burns and beatings. Now that she was living in Atlanta, Sara had the additional knowledge that came from dating a man who’d grown up in state care. Sara’s boyfriend didn’t like to talk about his childhood. When she touched her fingers to the healed cigarette burns on his chest, or kissed the jagged scar on his upper lip where the skin had been punched in two, she could only imagine the hell he’d survived. Still, there were far worse things that could happen to a child. The system was flawed in many ways, but it was also there for a reason. “I wish you’d stop smiling.” Felix Connor dried his hands with a paper towel as he walked toward Sara. “I gotta say, I’m still having a hard time shaking this flu.” Sara made her voice chipper. “Better sick at work than sick at home.” “Is that what you tell your patients?” “Just the babies.” Before Felix could come up with an excuse to leave, Sara started running down her cases. She was wrapping up the details on Oliver’s patient when she felt a rush of heat come to the back of her neck. Sara glanced over her shoulder, feeling like she was being watched. She did a double take when she saw her boyfriend. Will Trent was leaning against the wall. He was dressed in a charcoal three-piece suit that was nicely tailored to his lean body. His hands were in his pockets. His sandy-blond hair was damp, curving against the nape of his neck and stopping just shy of his collar. He smiled at her. Sara smiled back, feeling a familiar tingling in her chest. She had known Will for almost two years—met him in this very hospital—but lately their relationship had turned into something more. The depth of her feeling was an unexpected treasure. Sara had lost her husband five years ago. She had assumed she would spend the rest of her life alone. And then she’d met Will. Sara said, “Felix, I—” She glanced around, but he was gone. Will pushed away from the wall and walked toward her. “You look nice.” Sara laughed at the blatant lie. “What are you doing here? I thought you were working.” “My briefing’s not for another hour.” “Do you have time for second breakfast?” Will slowly shook his head. “Oh.” Sara realized he hadn’t just dropped by. She asked, “What’s wrong?” 

“Maybe we could go somewhere?” She led him toward the doctors’ lounge. The door was about thirty feet away, giving Sara just enough time to work up a full-on worry. Will was a special agent with the Georgia Bureau of Investigation. He’d been working undercover for the last ten days. He couldn’t—or wouldn’t—tell Sara the details of his assignment, but he kept calling from strange numbers and showing up at odd hours. She had no idea where he came from or where he was going, and anytime she asked, he either changed the subject or found a reason to leave. When Sara wasn’t busy feeling mildly annoyed by all this, she was consumed with fear that something bad was going to happen. Or had already happened. Sara’s late husband had been a cop. He was murdered in the line of duty, and losing him had almost killed her. The thought of the same thing happening to Will was too much to bear. “Let me get that.” Will reached in front of Sara to open the door. Fortunately, the lounge was empty. He waited for her to sit down at the table before taking the chair across from her. She repeated, “What’s wrong?” Silently, he took her hand. Sara watched as Will ran his fingers along her palm, traced the inside of her wrist. Will watched, too, his deep blue eyes tracking the movement of his fingers. There was something about the way he watched himself touching her that made Sara’s skin start to tingle. She stilled his hand. All she needed was for one of her students to walk in and find her purring like a cat. Besides, she recognized Will’s stalling tactics by now. She leaned forward. “What is it?” He gave a half-smile. “Diversion not working?” “Almost,” she admitted.

~~~~

The GBI was equivalent to the FBI on the Federal Level. But in this book, Will Trent was undercover. Will was also involved with a woman and, it was a closer relationship than on tv. I enjoyed the longevity and closeness of this main character, who, once you know his back story, you will find that he is one of the most unique that you will find within a law enforcement agency. If you haven't yet seen any of the tv series, I highly recommend! For the first time for me, I'm tending to prefer the tv series as opposed to the book. It's probably because I've become invested in the lives of those in the tv series, which includes all of the agents in his area... But the importance of the topic covered in Unseen is one that calls for details of the reality...


The investigation was broad, but had becomes somewhat pinpointed on the fact that those involved were not afraid to go after the cops as well. At the same time, One of the officers who had a bad reputation with some people, was in trouble again... She had been partnered with a police officer who was killed during a shootout. That had been years ago, but, now, she was married to a relative of the wife of her former partner. And he'd been shot during a new criminal action... Was she bad luck, or was it just what the job was all about? Talk was spreading across GBI and relatives of agents...

And Will was at the scene, undercover when a raid went down... But more was yet to come!


MACON, GEORGIA
 SEVEN DAYS AGO—THE DAY OF THE RAID Dawn turned the morning light a cobalt blue as the raid van roared down a gravel road. There were ten cops in back, five on one side, five on the other, all jammed shoulder-to-shoulder so that every bump of the tires made them jerk in unison. The radio speakers were blaring Ice-T’s “Cop Killer.” The air inside the van vibrated with the raging beat. Cop killer. Better you than me. Lena Adams steadied her shotgun as they hit another rut in the road. She checked the Glock strapped to her thigh, made sure the Velcro held the gun tightly in place. The voice in her head screamed along with Ice-T’s as they got closer to the target. She took a few quick breaths, not to clear her mind but to make it spin, to amp up the adrenaline and the absolute high that came from knowing she was a few moments away from the biggest bust of her career. And then everything stopped. The music snapped off. The red light came on over their heads. Silence. Two minutes until arrival. The van slowed. Gravel crunched under the tires. Guns were drawn, magazines checked. Helmets and protective glasses were adjusted. The smell of testosterone got thicker. Nine men and one woman. All of them suited in Kevlar vests and black fatigues, loaded up with enough ammo to take down a small army. Lena breathed through her mouth, tasting the fear and excitement circling inside the van. She took in her team. Eyes wide. Pupils the size of dimes. The anticipation was almost sexual. She could feel the exhilaration building around her, the way everyone shifted in their seats, gripped their guns tighter in their hands. They’d been staking out the house for the last two weeks, had planned their attack even as the junkies and whores streamed in and out like ants on a mound. There would be piles of money. Percocet. Vicodin. Hillbilly heroin. Coke. Guns. Lots of guns. Overnight surveillance told them that four men were inside the house. One was a low-level thug on parole off assault charges. The second was a junkie scumbag who would suck off a dog to feed his Oxy habit. The third was Diego Nuñez, an old-school enforcer who enjoyed getting his hands dirty. The fourth was their leader, a bastard named Sid Waller who’d been questioned on a rape and two different murders but somehow managed to skate on all of them. Waller was their main target. Lena had been tracking him for eight months, doing a masochistic hokeypokey—locking him up, letting him go, locking him up, letting him go. Not this time. The drugs and guns would put Sid away for twenty years, minimum, but Lena wanted more than that. She wanted him to know for the rest of his miserable life that a woman had cuffed him, jailed him, convicted him. Not that he would have a long life once Lena was finished. She wanted Sid Waller on death row. She wanted to watch them jam the needle in his arm. See that last flicker of life drain out of him. And she was betting her career on making that happen. For two weeks, she’d been fighting the brass, pushing them to keep the operation going, pleading with them to extend the overtime, authorize the manpower, spend the money, and pull in the favors for the snitch who’d brought them all to this house in the middle of the woods. Sid’s crew wouldn’t last long behind bars. Diego Nuñez would hold out, but the other two were junkies, and with Sid Waller out of the way, getting high would trump being loyal. In less than twenty-four hours, they’d both be scrambling to make deals, and Lena had a DA who was ready to hand them out. Sid Waller had killed a nineteen-year-old kid. He’d raped his own niece and slit his sister’s throat when she’d called 911. Every cop in this van wanted to be the one to take him down. Lena didn’t bother with wanting it. She was actually going to do it. She looked up at the ceiling, staring at the red light until it flickered off and then on again. One minute. Lena closed her eyes, going over the plan. They had pulled the records on the house. It was a foreclosure, one of many on the outskirts of town. Brick, which was good because it would stop bullets. The single-story structure was in the middle of two point-five acres bordered by a national forest on one side and a rural route on the other that bisected Macon and fed into Interstate 75, heading north into Atlanta. Searching the tax commissioner’s office had netted them a builder’s diagram: den, bathroom, and two bedrooms in the back. Dining room and kitchen in the front, with a set of stairs opposite the sink that led down into the basement. They’d rehearsed the raid so many times that Lena saw it like a tightly choreographed dance. DeShawn Franklin and Mitch Cabello would breach the side door with a Monoshock Ram. Lena would take the front of the house with Paul Vickery, her partner for the last year. Eric Haigh and Keith McVale would clear the bathroom and two bedrooms in the back. DeShawn and Mitch would secure any prisoners. The remaining men would guard the perimeter of the house and make sure no one slipped out through a window or door. Lena had wanted at least eight more bodies on the team, but the operation was already pushing the million-dollar mark and Lena knew better than to ask the brass for more. They always worked in twos; no one entered a room alone. The layout of the house was choppy, each room walled off with nothing but a door in and out. Back at the station, they’d taped off the garage, mapping the rooms to scale. Lena and Paul had two doorways to contend with before they reached the basement: den to dining room, dining room to kitchen. Each opening represented a new opportunity to get shot. The basement was going to be the trickiest part. The builder’s diagram showed a wide-open space, but that had been drawn in the fifties, when the house was built. Sometime in the last sixty years, the basement had been finished. There would be walls they didn’t know about. Closed doors and closets. There was no door to the outside, only two narrow, boarded-up windows that a grown man couldn’t fit through. The basement was a deathtrap. Back at the station, they had drawn straws to see who would go down first. Lena’s team had won, but that was only because she had been holding the straws. The van downshifted to a crawl. There were no windows in the back, but Lena could see past the driver’s head. The sun winked underneath the visor. A thick stand of pine trees arced around the side of the house. Aerial photos showed a straight shot to the rural route less than two hundred yards through the forest. If the bad guys decided to run, that was the direction they’d take, which was why two cruisers were assigned to patrolling that stretch of road. The van stopped. Overhead, the red light flickered again, this time staying off. Lena pumped her shotgun, loading a cartridge into the chamber. She checked the Glock again. Her team followed suit, checking their weapons. The driver, an old-timer named Kirk Davis, whispered into the radio, letting the brass know they’d arrived. The mobile command center was parked a mile away in the Piggly Wiggly parking lot. If history was any indication, Denise Branson would wait until Lena’s team had secured the house, then roll in and take credit for everything. So be it. Lena’s credit would come when she had Sid Waller on the ground, her foot on his neck, thick plastic zip ties cutting into his fat wrists. It was the only thing left in her life that she wanted to do—could do. It got her up in the morning and it went to her empty bed with her every night. Lena grabbed the door handle, then looked back at the group, stared each man in the eye to make sure they were ready. There were nods all around. She pulled open the door. And the dance began. Lena jumped out first, heading toward the house at a fast trot. She heard footsteps pounding behind her—nine guys armed to the teeth and ready to break some heads. She kept her shotgun tight to her chest as she ran toward the carport. Her Glock tapped against her thigh. She scanned the woods around the house, took in the trash littering the ground, the broken bottles and cigarette butts. The perimeter team swarmed into position. Lena led the rest of her men into the carport. They lined up two on each side. Paul Vickery jammed his shoulder against Lena’s. He winked at her, like this was nothing, though she could see his chest heaving up and down underneath his vest. Inside the house, they heard the laugh track from a TV show, then music. The Jeffersons. “Movin’ On Up.” Lena started the timer on her watch. She gave the nod to DeShawn and Mitch, who were holding the Monoshock, waiting for her signal. They swung back the ram twice to build up momentum, then slammed the sixty-pound metal cylinder straight into the door. The wood splintered like glass. Lena yelled, “Police!” as they rushed in—guns drawn, ready to light up the place. 

But they were late to the party. Two men sat on a yellow corduroy couch opposite the television. Their shirts were off. Jeans slung low. One had his hand tucked into his front pocket. The other guy held a can of beer. Both had their eyes open. Parted lips showed missing teeth. An array of handguns covered the battered coffee table in front of them. Neither moved, or ever would again until the coroner came to pronounce them. Their throats had been cut. The skin gaped open, showing white tips of vertebrae among the dark red sinew inside their necks. Paul checked for pulses, though even from ten feet away, Lena could tell both men had been dead for hours. Waxy skin. The odor of decay. The junkie was one of the deceased—Elian Ramirez. His bare chest was concave, the ribs standing out like toothpicks. His murderer had saved him the cost of killing himself with Oxy. Paul checked the second man, turning the head to get a better look at him. “Shit,” he cursed. His disappointment spread around the room. Diego Nuñez, Sid Waller’s right-hand man. Lena watched a fly crawl across his eyeball. Nuñez’s purple-black tongue lolled out of his mouth like a chow’s. According to statements, Diego had taken his turn with Sid Waller’s niece once his boss had finished with her. He’d been behind the wheel during the drive-by that killed a nineteen-year-old kid who’d been stupid enough to mouth off to Waller. Lena’s guess was that, as a reward for good service, Diego had joined in on the fun with Waller’s sister. The woman had been brutally raped and beaten before her throat was sliced open. Murderer. Rapist. Thug. He’d died with a beer in his hand and his eyes glued to the TV. “Shit,” Paul repeated. He had found another body behind the couch. This one had been spared the slit throat, but part of his head was missing. It was a clean cut straight across. Lena guessed the ax leaning against the wall was the reason why. Long strands of hair and chunks of scalp and white bone were caked onto the edge of the blade. Eric Haigh’s hand clamped to his mouth. Vomit spewed between his fingers as he ran out the door. As far as Lena was concerned, he could keep running. She had little tolerance for weakness. And she sure as shit wasn’t going to let her team get ambushed while they stood around with their thumbs up their asses. She snapped her fingers for attention, the crisp sound cutting through the chorus booming from the TV. Lena pointed to the three corpses, then held up her hand, showing four fingers. Surveillance had four guys in the house. Sid Waller was yet to be found. They didn’t need further prompting. DeShawn guarded the door so there wouldn’t be any surprises from the rear. Mitch took Eric’s place and followed Keith into the back hallway. Lena headed for the dining room, Paul behind her. They kept at a low crouch as they walked. Trash was scattered across the floor—mostly beer cans and empty fast food bags. 

The carpet underneath was thick with grime. It stuck to the soles of Lena’s boots as she moved toward the open doorway to the dining room. She kept her tread light, mindful of the basement. She imagined Sid Waller down there, gun pointed up, listening for a sound he could shoot at. The Jeffersons theme wound down with a gospel flourish. Lena could barely hear it over the sound of blood pumping in her ears as she stood to the side of the open dining room doorway. Her shoulder was against the wall. Plaster, lath, a few studs. Easily punctured by a nine-millimeter Parabellum, which Lena knew for a fact was Sid Waller’s ammo of choice. Paul tapped her leg twice, giving her the go signal. She spun around the doorframe in a low stance and pointed her shotgun into the room. There was no dining room table, just a bloodstained mattress on the floor with the usual detritus found in a shooting gallery. Crack pipes. Scorched aluminum foil. Spent hypodermics. The sharp vinegar smell of heroin burned Lena’s nostrils. Water damage from a recent rain had caused the ceiling to collapse. There were chunks of plaster on the floor. The hardwood was warped, cupping like the hull of a canoe. Lena scanned upward, making sure no one was hiding in the rafters. The room was empty. Through the broken window, Lena saw one of the other detectives in the front yard. He held his Colt AR-15 at chest level as he scanned back and forth like a pendulum. He stopped to shake his head at Lena, indicating no one had come out of the house. She glanced back at Paul, then pointed toward the next doorway. This one was closed. The kitchen was beyond, then the basement door. As rehearsed, Paul took the lead. Lena kept her shotgun braced against her shoulder as she walked backward, guarding the rear. From the bedrooms, Mitch yelled, “Clear!” Lena tapped Paul’s leg, indicating he should go. His movements mirrored her earlier ones as he kicked open the door and pointed his Glock into the kitchen. Lena swiveled with her shotgun. Empty. None of the cabinets had doors. Half the ceiling had fallen down. The other half was stained dark brown. The sink had been pulled out. Plaster was missing where copper pipes and electrical wire had been ripped out of the walls and sold for scrap. The stench from the open drain was nauseating. Paul pointed his Glock into the ceiling as he checked for hiding places, then shook his head, indicating it was clear. 

They both looked at the basement door. This was unexpected. There was a wooden brace like you’d find across a barn door. A two-by-four rested on two metal U-channels that were bolted to each side of the doorframe. Paul gave Lena an inquisitive look. She could practically hear his thoughts. They’d talked a great deal about the basement door. In all the scenarios, they had assumed two things: the door would be locked and a bad guy would be standing on the other side with a loaded gun. The plan called for them to work with their backs to the wall—use the butt of the shotgun to break off the knob, the lock, or whatever was in their way, then yank open the door and rush into the hell that was waiting for them. The bracing changed things, but maybe not too much. Lena stood to the side, back flat to the wall as she used the muzzle of her shotgun to try to push up the wood. The fit was too tight. There was no way to slide it out. One of them would have to use both hands to heave it away, leaving his or her body as an open target to whoever might be standing on the other side of the door. Lena didn’t think about it for long. She tossed her shotgun to Paul. He caught it with his free hand, then backed up to give her cover. She had to put her shoulder into moving the brace, kneeling down and pushing up. The damn thing was wedged in there. It wouldn’t budge. She tried again, bending deep at the knees and exploding up. That worked—sort of. The board finally slipped free, but Lena stumbled back in the process, losing her balance and falling flat on her ass. So much for the element of surprise. The board clattered to the floor. Her tailbone felt like it had been cracked. There was a sharp, biting pain in her scalp where her head had met the sharp edge of the laminate counter. Her helmet had tipped forward, smashing her safety glasses into the bridge of her nose. Lena put her hand to the back of her head. The hair was wet. She looked at her fingers: blood. Paul stared at her, his brow furrowed, like he couldn’t understand how she’d screwed up something so easy. Lena couldn’t either, but there was no time to figure it out. She pulled herself up, keeping an eye on the closed door. She tried to shake it off. Her vision was blurry. Her nose felt like a metronome was pounding inside. She took off the safety glasses. They were cracked at the bridge. She tossed them into one of the open cabinets. There was a low whistle from the other room: Don’t shoot. Keith came into the kitchen. Mitch followed. They were both big guys, their shoulders so wide that they made the kitchen feel more like a closet. Lena felt a bead of sweat roll down the back of her neck. She used her hand to wipe it away. Her fingers were sticky. It wasn’t sweat, it was blood. Paul chewed his tongue between his front teeth, a tic she’d spotted their first week working together. It meant he was about to disagree with her. He didn’t do it much, but when he did, he meant it. Lena opened her mouth to take back command, but by some silent agreement, Mitch and Keith stepped forward, pulling out their flashlights as they stood on either side of the door. They all looked at Lena, but this time it was with irritation rather than expectancy. Reluctantly, she moved over to the sink and jammed the shotgun to her shoulder so she could at least back them up. The laugh track on the television seemed to mock her. Lena couldn’t make out the words, just the low rumble of Weezy’s voice followed by a high-pitched response from George. Mitch swung open the basement door. No one shot him, so he went down the stairs. Keith followed. Paul stood at the top, Glock pointing down in case someone managed to get past the combined four hundred–plus pounds of cop. And then the waiting started. Time changed. Even the particles in the air floated at a different frequency. Paul didn’t move. Sweat dripped from his hands, spotted the floor. Lena held her breath as she waited for some kind of resolution—guns firing, men yelling. Her head ticked down the seconds. Five. Ten. Another roar of laughter came from the television. Weezy again. Then Lionel. Twenty seconds. Paul still hadn’t moved. He was like a statue. Lena quietly let out the breath she’d been holding. She inhaled again. Thirty-five seconds. Forty. Finally, Keith called, “Clear.” Paul’s hands lowered. Lena felt her lungs shake as she exhaled. “Do the second sweep,” she ordered, propping the shotgun against the counter so she could take off her helmet. There was a string of curses from below, but Lena didn’t care. Three dead men were in the house—a house that had been under twenty-four-hour surveillance. She’d spent a million bucks of the department’s money on this clusterfuck. She’d managed to rip open her scalp and bruise her nose. Her ass ached like a motherfucker. Her head was pounding. Meanwhile, Sid Waller was probably on a beach somewhere sipping a margarita and wondering which woman he was going to follow home and rape tonight. Lena looked down at her watch. The timer was still running. They’d been in the house four minutes and thirty-two seconds. “Shhh-it,” Lena drew out the word. She looked up at the ceiling. The bare rafters showed white specks of mold. A clump of plastic bags was shoved into a hole in the asphalt shingles. She heard heavy bootsteps in the next room as the rest of the team came in to see what had happened. Lena raised her voice so it would carry through the house, ordering, “We clear out of here A-SAP. This is an active crime scene.” DeShawn called back, “Branson’s on the way. Coroner’s thirty minutes out.” “Great,” she said. “The more the merrier.” Paul took off his helmet. He ran his hand through his sweaty hair. “You okay?” Lena shook her head, too angry to speak. This was supposed to change things. This was supposed to make everything better. The only goddamn thing she had in her life right now that was working was her job, and she’d managed to screw that up, too. She unstrapped the Velcro around her vest so she could breathe. Her shirt was stuck to her back. She knew her neck was covered with blood. This wouldn’t stop with Denise Branson. The chief would want answers. The brass would show up. Internal Affairs. Lena would need to call her husband to bring her a change of clothes so she didn’t look like she’d gotten her ass handed to her while they chewed her out. Not that Jared was answering her calls. Not that he probably even thought of himself as her husband anymore. Lena covered her face with her hands. Shook her head. She had to get her shit together. She couldn’t fall apart now. “I’ll back you up with Branson,” Paul said. “Whatever you need.” Lena dropped her hands. “I need to know why that door was braced.” Paul’s brow furrowed again. She could see he hadn’t thought that far into it. Lena said, “You butcher three guys and you get the hell out. You don’t stick around inside the house. You don’t barricade the basement.” She indicated the door. “Look at the edge of the wood—somebody pounded it in.” Lena wiped away the sweat pooling on her brow. The house was like a kiln. “Goddamn it. Branson’s probably gonna bust me down to patrol for this.” “You and Jared can ride together.” “Go to hell.” “Hey.” Paul put his Glock on the counter. His hand was on her arm, then her face. He smiled at her, trying to make everything okay. 

Lena pulled away from him. She stamped her boot on the floor so they’d hear her in the basement. “Cabello? McVale? What’s taking so long down there?” “Found some money!” Keith called back. “We’re rich!” “Thank God.” Lena headed toward the basement. “Please let it be a million dollars.” A drug seizure like that would at least pay for all the overtime.

Drugs, cops being killed, tension is high and Lena, the one woman who has both earned her position, and the disdain from many, had pushed for a raid. One that was aimed at finding one of the top leaders of the criminal crew... 

But Lena quickly realized that something had changed because when they got there, some were already dead and the fourth individual who showed up on an earlier check could not be found until they saw a basement door which was blocked from the inside! They did find some drug money, but they also found that fourth man...and somebody behind him...

And this changed the scope of the full investigation to one that could not have been foreseen...



One of the most startling things Will had found in Macon was not the wildlife, but the divide between rich and poor.

“Well, I’m pretty upset tonight,” she quipped. “You know, my daddy told me a long time ago that wanting revenge is like sipping poison and waiting for the other person to die.”


Everything about him asked, What’s in it for me?


“I know you’re taking heat for me.” “Shit,” Denise muttered. “I wish it was heat. I’m standing in a damn ring of fire.”


“You’re the first person in my life who’s ever really seen me.”


She felt overwhelmed by the knowledge of the terrible things that happened to children.

He put her in a dog crate to teach her a lesson. Took about a week to break her, then he put her up for sale on the Internet. One-sixty for the lunchtime special, two-fifty for an hour. Four hundred for two hours. She does ten, fifteen clients a day. Her habit runs a couple hundred dollars. Not a bad business model. Do the math.”


If you haven't yet read Karen Slaughter, this would be a timely and complex book to start with! Enjoy!

GABixlerReviews




Saturday, August 25, 2018

JUST OUT! Karin Slaughter''s "Pieces of Her" Now Out! Extraordinary!

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"I'm showing you this because it's already on the news." She swiped at the screen. "One of the patrons in the diner decided that it was more important to record what was happening on his cell phone than to call 911 or run for his life."
She turned the phone around. The image was paused. Jonah Helsinger stood at the entrance to the restaurant. The lower half of his body was obscured by a trash can. "The mall was empty behind him. From the angle, Andy knew the waitress standing in the back had not taken the video. She wondered if it was the man with the newspaper. The phone had been tilted to hide the fact that he was recording the weird kid who was dressed like the villain from a John Wayne movie.
Objectively, the hate was ridiculous; too large for Helsinger's head, stiff on the top and curled up almost comically.
Andy might have filmed him, too.
Palazzolo said, "This is pretty graphic. They're blurring the images on the news. Are you okay to see this?" She was talking to Gordon because, obviously, Andy had already seen it.
Gordon smoothed down his mustache with his finger and thumb as he considered the question. Andy knew he could handle it. He was asking himself if he really wanted to see it.
He finally decided. "Yes."
Palazzolo snaked her finger around the edge of the phone and tapped the screen.
At first, Andy wondered if the touch had registered because Jonah Hebsinger was not moving. For several seconds, he just stood there behind the trash can, staring blankly into the restaurant, his ten gallon hat high on his shiny-looking forehead.
Two older women, mall walkers, strutted behind him. One of them clocked the western attire, elbowed the other, and they both laughed.


Muzak played in the background. Madonna's "Dress You Up." Someone coughed. The tinny sound vibrated into Andy's ears, and she wondered if she had registered any of these noises when they happened, when she was in the restaurant telling the waitress she was a theater major, when she was staring out the window at the waves cresting in the distance.
On the screen, Helsinger's head moved to the right, then the left, as if he was scanning the restaurant. Andy knew there was not much to see. The place was half-empty, a handful of patrons enjoying a last cup of coffee or glass of tea before they did errands or played golf or, in Andy's case, went to sleep.
Helsinger stepped away from the garbage can.
A man's voice said, "Jesus."
Andy remembered that word, the lowness and meanness to it, the hint of surprise.
The gun went up. A puff of smoke from the muzzle. A loud pop.
Shelley was shot in the back of the head. She sank to the floor like a paper doll.
Betsy Barnard started screaming.
The second bullet missed Betsy, but a loud cry said that it had hit someone else.
The third bullet came sharp on the heels of the second.
A cup on the table exploded into a million pieces. Shards flew through the air.
Laura was turning away from the shooter when one of the pieces lodged into her leg. The wound did not register in her mother's expression. She started to run, but not away. She was closer to the mall entrance than to the back of the restaurant. She could've ducked under a table. She could've escaped.
Instead, she ran toward Andy.
Andy saw herself standing with her back now turned toward the window. Video-Andy dropped her coffee mug. The ceramic splintered. In the foreground, Betsy Barnard was being murdered. Bullet four was fired into her mouth, the fifth into her head. She fell on top of her daughter.
Then Laura tackled Andy to the ground.
She patted her hands down the same way she used to tuck Andy into bed at night. The man in black, Jonah Lee Helsinger, had a gun pointed at Laura's chest. In the distance, Andy could see herself. She was curled into a ball. The glass behind her was spider-webbing. Chunks were falling down...
~~~

Mother. Hero. Liar. Killer,


                                                            How can you tell when all you have is... 

Pieces of Her                                                                      
By Karin Slaughter


It's August, 2018, and a young girl who was enjoying lunch with her mother, was suddenly in the midst of a shooting spree! Her mother had met a woman and her daughter who she knew and had stopped to talk. In the meantime, a young man, dressed all in black like a villain in a western movie, had come into the restaurant, looked around, and took aim. The first to go down, and the second, were the woman and her daughter with whom her mother had been talking!

Andrea had walked away from the conversation, but was knocked against the window and now on the floor...Her mother was running away from the two bodies who were now at her feet. She ran toward her daughter--she was not going to allow anything to happen to her daughter. Not now, now ever... 

This extraordinary book is a fascinating thriller, but also an extraordinary psychological suspense novel that continues to drop climatic events for readers that sometimes shock, sometimes horrify, but mostly just pulls you into a continuous tension of highs and lows as each "piece" of the main character is revealed... If you are a reader like me, it will be an exhilarating experience for you to read the story, while, in the back of your mind, realizing that you...yes, you, the reader, are realizing that there are also pieces of you that are always kept hidden, while others are slowly shared, and still others sometimes sets you off into a rage that you can't seem to handle, while at the same time, you love so deeply that you hate what you become because of the need for that love, that individual, who sometimes you also hate...  And that is our main character! Any pieces of yourself seen???!

Moving from the present into the past, during the same summer months, but in 1986... We have just read of another incident where murder took place, this time in Oslo where a shooting had occurred, and a woman had been kidnapped...


Jane Queller woke in a cold sweat. She had been crying in her sleep again. Her nose was raw. Her body ached. She started shaking uncontrollably. Panic made her heart shiver inside of her chest. In the semi-darkness, she thought she was back in Berlin, then in the Oslo hotel room, then she realized that she was in her childhood bedroom inside the Presidio Heights house. Pink wallpaper, Satin pink duvet and pillows. More pink in the rug, on the couch, the desk chair. Posters and stuffed animals and dolls.
Her mother had decorated the room because Jane did not have time to do it herself. From the age of six, almost every waking moment of Jane's life had been spent in front of the piano. Tinkering. Practicing. Playing. Learning. Performing. Touring. Judging. Failing. Recovering. Coaxing. Succeeding. Mastering.
In the early days, Martin would stand behind Jane while she played, his eyes following the notes, his hands on her shoulders, gently ressing when she made a mistake. Pechenikov had requested Martin abandon his post as a condition of taking on Jane as a student, but the tension of Martin's presence had shadowed her career. Her life. Her triumphs. Her failures. Whether she was in Tokyo or Sydney or New York, or, even during her three months of isolation in Berlin, Jane could always feel an invisible Martin hovering behind her.
Janes shivered again. She glanced behind her, as if Martin might be there. She sat up and pressed her back against the headboard. She pulled the sheets around her.
What had they done?
~~~

Jane had sat and had tea and talked music that evening right before the conference, and the panel her father, Martin, would lead. The woman she had introduced to herself was a well-known speaker who was also on the panel. As they chatted Jane asked Alex if she had ever met her father. Jane and Alex smiled at each other knowingly...Alex had written a paper in opposition to her father's work...and Jane couldn't wait to see her father's face when he discovered Alex was a woman...

Now her father was dead, Alex had killed him in the middle of an argument, on stage, in front of the audience... Jane had been sitting on the front row of the audience and saw what the gunshots had done to Martin Queller, a man she had both loved...and hated...

The present time period, this month, in 2018, finds Andrea (Andy) and her mother dealing with the aftermath of the mall shooting, where the shooter, who had just killed, we find later, his ex-girlfriend and her mother, now turns toward Andrea. She wears her uniform as a 911 operator and is mistaken for an officer. He goes after her, and immediately, Laura, her mother who has run to help her daughter, steps in to confront the young man... Normally, this would have been a case of self-defense, but the young boy is a member of an influential family...and the way in which Laura killed the boy becomes questionable.

As the tape showing Laura killing the boy, runs over and over on ever channel, Andrea begins to wonder...Who is this woman who, in this strange, aggressive manner, was able to distract and kill the young boy? This is compounded by Laura, upon release from the hospital, immediately requesting that Andrea leave her home and find an apartment, as had been discussed in the past... But, why now??? Only after another dangerous incident occurs does Andrea go on the run--she wants to find out who her mother is. What she discovers is, well, quite amazing!

Slaughter is known for having chosen a topic--violence and women-- decades ago and has garnered a wide fan base for both her magnificent writing and for her psychological assessments and real-life situations for which she is well-known and loved... If you haven't read any of her books yet, you may want to click over to see my reviews of Fallen and Unseen. She's a favorite author for me and, as I've cut back on accepting new requests, I hope to be able to spend some time and share the books of Karin and my other favorite authors...

Yes, many of us have secret parts of our lives that we keep deep within us, but when that past invades the present--and "they" are still looking for you from the past--it becomes a dangerous cat-and-mouse chase. For readers, it is almost impossible to separate out the characters as to who can and cannot be trusted. The villain characters are, well, simply, very frightening, and soon are recognized as what they really were--a cult of terrorists who have been led by a charismatic leader to believe only what their leader says... And that's a very scary thing that still is happening in the present--in reality! Many are saying this is her best...I would agree. The thrills are there, but the topic underlying the impact of some men in the lives of some women, is, as the author and publisher says, "unfortunately all too common..." It's time to start reading Karin Slaughter! Start with this one, Just Out! I Loved It!


GABixlerReviews!


Nick walked around to her side of the table. Laura didn't flinch this time. He wrapped his fingers lightly around her arm and gently pulled. "It's the least you can do for me. I promise I won't ask for anything else."
Laura let him pull her up to standing. She reluctantly walked toward the piano. Her nerves were shot through with adrenaline. She was suddenly terrified...
"Come now, don't be shy." Nick had blocked the guard's view. He pushed her down on the bench so hard that she felt a jarring in her tailbone. "Play for me, Jinx."
Laura's eyes had closed of their own accord. She felt her stomach clench. The ball of fear that had lain dormant for so long began to stir...He dug his fingers into her shoulders. "I said play something for me."
She forced open her eyes. She looked at the keys. Nick was standing close, but not pressing against her. It was his fingers biting into her shoulders that fully awakened her old fear.
"Now," he said.
Laura raised her hands. She gently placed her fingers on the keys but did not press them. The plastic veneer was worn. Strips of wood showed like splinters.
"Something jaunty," Nick told her. "Quickly, before I get bored."
She wasn't going to warm up for him. She didn't know if there was any value in trying. She considered playing something specifically for Andy--one of those awful bubblegum bands that she loved. Laura didn't have anything classical left in her fingers. Then she remembered that smoky bar in Oslo, her conversation with Laura Juneau, and it came to her that things should end up where they had started.
She took a deep breath.

She walked the bass line with her left hand, playing the notes that were so familiar in her head. She vamped on the E minor, then A, then back to E minor, then down to D, then the triplet to punches on the C before hitting the refrain in the major key, G to D. then C, B7 and back to the vamp on E minor.
In her head, she heard the song coming together--Ray Manzerek mastering the schizophrenic bass and piano parts, Robby Krieger's guitar, John Densmore coming in on the drums,
Love me two times, baby...
"Fantastic," Nick raised his voice to be heard over the music..."My Darling."
Nick's mouth was at Laura's ear.
She tried not to shudder. She had known it would come to this. She had felt him hovering at her ear so often, first during their six years together, then in her dreams, then in her nightmares. She had prayed if she could only get him to the piano, he wouldn't be able to resist...
His thumb stroked the side of her neck. He thought the piano was canceling out his voice. "Are you still afraid of being suffocated?"...
~~~





Thursday, September 29, 2011

Audio Version of Karin Slaughter's Fallen Provides Great Dramatic Reading!



Fallen


By Karin Slaughter


I listened to Fallen via AudioGO

Narrated by Shannon Cochran

A note about the narration: Shannon Cochran does an outstanding "performance" as she maneuvers through the many different characters, giving each a personality that we could begin to "recognize." I was amazed at her ability to move from character to character so fluently that there was no disruption to the listener...Shannon certainly added greatly to the enjoyment of this book!


 I included Karen Slaughter as a favorite author many years ago, so was happy to find her audio version of Fallen offered to Amazon Vine members. Listening to the book in audio form was a completely enjoyable experience, although it is not as easy to review, since you have no easy and immediate way to highlight spots within the book--I confess, I've turned down the corner of thousands and thousands of pages over the years, LOL...

Karin Slaughter never fails to provide a wonderfully satisfying read!

And Fallen is just as exciting and intriguing as her readers fully expect!

I think one of the main things I noticed about this novel was that there was no emphasis on one main character. You might say that police officers were spotlighted...but not all of them were "good cops."

Evelyn Mitchell had been an officer but had retired under suspicion. In fact, many of the officers under her command had been arrested for corrupt activities, including skimming money from the various scenes of busts they made. But there had not been sufficient evidence to indict her, although many had felt she was just as much on the take as those who had been arrested. Instead, she had just retired and quietly the whole issue had died.

Except for another cop, Will Trent, who also happened to be now partnered with Faith Mitchell, Evelyn's daughter. Trent had been part of the earlier investigation and had never been willing to accept that Evelyn had gotten off. At the same time, he was committed to his partner Faith. And so when she was faced with the toughest situation she would probably ever have to face, Will was dedicated to help Faith through it all...

Because her mother was missing--kidnapped or already dead. All Faith knew was that she had come home, saw blood on the exterior door, walked in and saw a dead man...on to find a man beating another man. She shot the first man and when the other ran out of the house and fired near neighborhood children, she had killed him. Her mother was gone! She had found her baby locked into the gun storage facility, undoubtedly placed there for safety by her mother as she armed herself. But she had been unable to fight off the men who had invaded her home...

Faith was off the case, SOP for the two kills she'd made...While police officers stayed there at her home to handle the potential call from kidnappers, Faith of course began her own investigation, not sharing what was happening with anybody, including Will. For Faith had discovered that the abductors were making contact with her son via Facebook!

Faith had never believed that her mother had been on the take, so when the investigation turned toward somebody trying to get back some of the money she had earlier stolen, Faith did not accept this as a possibility. She knew her mother had no major source of money! Still, what had been happening in her mother's home? Tatoos on those killed proved that drugs and gangs were involved in this...but how, and why, were they after her mother now after so many years of her being retired?

A delightful, yet heartbreaking side story spotlights a developing relationship between Will and the ME, Sara Linton. Sadly Will is married to a woman with whom he'd had a relationship as they had both gone through children's services. Both had been terribly hurt and Will had once thought he loved her enough to marry. But his wife had never moved past that destructive environment and now was abusive to Will, whenever she chose to come home. Readers will find this love story a wonderful highlight and a needed break in the tension...

The surprise ending caught me completely off guard...I love when that happens! Full of action and suspense, Slaughter covers several important social issues, including child services and police corruption, that once again reveals an excellent and compelling drama that pulls you completely into the tale until the last page! If you haven't read Karin Slaughter yet, try the audio version...you'll become so involved that I guarantee that you'll miss at least one turn if you're listening while driving...Enjoy!

Book received via
Amazon Vine


GABixlerReviews


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