Showing posts with label Protagonist. Show all posts
Showing posts with label Protagonist. Show all posts

Friday, September 7, 2012

Please Welcome Character Aleksandr Talanov to BRH!









Inspired by the actual KGB informant who leaked word out of Moscow that James was on a KGB watchlist, former KGB informant, Aleksandr Talanov has become James Houston Turner's signature protagonist in the Talanov Thriller Series. He made his debut in Comfort Publishing's 2011 bestseller, Department Thirteen.
                              
TALANOV PROFILE  
STATS:

NAME: Aleksandr "Alex" Mikhailevich Talanov
KGB RANK: ColonelDATE OF BIRTH: February 04, 1958
HEIGHT: 6'1" (185.42cm)WEIGHT: 172 lbs (78.02 kg)HAIR: Brown, with touch of gray at the templesEYES: Brown


PERSONALITY: Strong Aquarius personality: smart, enterprising, loves puzzles and dilemmas and finding unique solutions to problems; inventive and thinks outside the box; a realist (tends to look at the glass as being half full, but knows glasses are easily broken); thrives on processing information; curious and alert but often cold, calculating and indifferent to the emotional needs of others. An early morning runner and avid student of chess, Talanov is fluent in English (American, British) Russian, Ukrainian, German, Spanish, andFrench. Committed and loyal, he enjoys spicy food (paella and pizza), fast cars, cold vodka and passionate music.

BACKGROUND:

Since his youth, Talanov was destined to be part of the Komitet Gosudarstvennoy Bezopasnosti -- the Committee for State Security -- or the internal security and foreign intelligence agency of the old Soviet Union. His father, Mikhail Ivanevich Talanov, was reportedly killed when he was an infant, with his addict mother, Nina, dying from a narcotics overdose when he was four. Alex was subsequently handed over to his elderly maternal grandparents, who lived in a ninth floor Moscow flat. The grandparents, however, couldn't cope, so he was turned over to State minders, who immediately noticed his athletic and educational abilities and placed him in the Komsomol -- the Communist Youth Organization -- where he would be taught the fighting and philosophical skills needed to advance him to the KGB. It was here that he was taught Combat Sambo, where he rose to the rank of Black Belt, his instructor preferring the traditional belt system of rating over the cumbersome "razryad" system most sambists employed. It was also here that he learned how love was a weakness and vulnerability that an enemy could exploit. It was here, at age sixteen, that he became known as Ledyanoĭ chelovek -- the “ice man” -- cold, calculating, charming and capable, yet possessing an unusual idealism about fairness, which his minders fed with Communist propaganda about the evils and decadence of the West.

Feeding on their words like a carnivore feeds on flesh, Talanov was rewarded with entrance into the Surveillance College in Leningrad, where his achievements resulted in an appointment to the analysis section of Directorate 7 (responsible for the monitoring of Soviet nationals and foreigners). His contributions in the area of surveillance and security soon led to a promotion to Directorate 9 (the KGB Protection Service, which included the 40,000-man uniformed bodyguard for Party leaders and families, as well as the protection of government installations, especially those containing nuclear weapons). In Directorate 9, he was mentored by the great Dimitri Lazovic, who chose him to coordinate the physical protection of Party leadership. It was here that Talanov came to the attention of Yuri Andropov, whose appreciation for saving his life resulted in his being selected for the Moscow State Institute for International Relations. After graduating, he was promoted to the rank of colonel -- the youngest in KGB history -- and assigned to The First Chief Directorate, which was responsible for foreign espionage and KGB operations abroad. Segmented into eleven geographical regions, the First Chief Directorate saw to the placement of intelligence officers in legal positions in embassies and elsewhere abroad. Talanov oversaw those assignments as well as provided analytical support to various sub-directorates and services, as well as personal assistance to Andropov on a number of secret assignments.



Talanov was not sure when the cracks began to appear, but appear they did in Department Thirteen:

"Why did we get married?" Andrea asked.

"What do you mean?"

She turned toward him. "You romanced me like there was no tomorrow, and we end up having this fabulous whirlwind marriage. But that's as far as it went."

Talanov did not reply.

"We're little more than strangers, Alex. And you seem happy to keep it that way."

"I think you're overreacting."

"People are trying to kill us! And you think I'm overreacting? Talk to me, Alex."

Talanov massaged a dull ache in his forehead. The pressure was getting to him.

"Tell me about your world," she said.

"Are you sure you want to hear this?"

"I think it's time, don't you?"

After working a pillow into place, Talanov settled back and for half an hour explained
how the KGB had trained assassins, terrorists, and deep cover agents at its Balashikha complex, near Moscow. "Communism on paper is what attracted my idealistic hopes: equality for all, freedom from oppression...that sort of thing. But over time, I became aware of all the things I had not been taught: that communism outside the classroom was really state capitalism ...the government's elite taking from others what they wanted for themselves. It's why communism can never work, and why I began helping the CIA bring it down...not that anyone in Washington cared."

"You sound cynical."

"I am. Trouble is, there are men out there with guns for whom these lofty ideals don't
matter one bit."

"It appears they matter a great deal. The question is, why?"

Talanov's disillusionment led him to become November Echo, the legendary KGB deep cover informant who supplied the CIA with intelligence on KGBactivities during the Cold War. For his service over the course of several years, Talanov was paid US $1.3 million by William Erasmus "Bill" Wilcox -- codename La Tâche -- the CIA branch chief in the American Embassy, in London. Talanov quietly invested the money in offshore accounts, thus enabling him to settle in Australia at the end of the Cold War as a multi-millionaire. It was in Australia that he met and married Andrea, who was the owner of Elegant Cuisine, a catering company, although his inability to return his wife's love was the cause of many problems. The couple lived in the swank Sydney suburb of Mosman until killers firebombed his house and burned it down. Within months of those events (chronicled in Department Thirteen), Talanov convinced his wife to move with him to Los Angeles in an attempt to find anonymity and peace (Greco's Game). Tragically, that peace was short-lived.

Talanov and Andrea in Scene from Department Thirteen...

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Click on Picture top Right to go to James Houston Turner's Web Site!
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Friday, July 30, 2010

A Sheila Lowe's article: Keeping Characters Real...

"Part of making a character real
is to give them human frailties,
which means reacting to the
challenging—okay, awful—
things that happen to them
in the plot."

 

Keeping Characters Real

By Sheila Lowe




I’ve just finished reading a medical thriller by Michael Palmer, which I really enjoyed…until about the last 20%. The protagonist is a doctor who has Asperger’s syndrome, so I learned something about what life is like from behind the eyes of a high functioning “Aspie.” The plot was intriguing, the main characters likeable, and there was a great twist. So what bugged me about that last bit of action?

Without giving anything away, let’s just say that one of the characters has been tortured, yet is able to immediately jump up, do heroic deeds without the injuries interfering at all. Another has come close to drowning, has sustained serious cuts and bruises, but seems to disregard all that and just plunges on. Well, of course adrenaline could account for some of that but really…after torture? This character doesn’t even wince when clothing touches the wounds.

As a mystery writer myself, I fully understand that stories aren’t real life and that characters in books have to do things that ordinary people in the same situation just wouldn’t do. But shouldn’t their experiences leave some mark on them (physical and emotional)? One of my sons broke his collarbone in a motorcycle accident. He’s big, tough, and a bodybuilder, but he still feels significant pain from it eighteen months later. In fiction, he’d be jumping from one building to another, regardless of injury or pain, right after the accident.

Seeing people die in horrible ways, maybe even having to kill or seriously injure someone, has got to impact our characters in life-changing ways. In life, if they didn’t deal with such experiences directly, they would likely suffer post-traumatic stress disorder (which could make for all sorts of interesting sub-plots).

We want our readers to identify with our characters, and over time, come to genuinely care about them as if they were old friends. Part of making a character real is to give them human frailties, which means reacting to the challenging—okay, awful—things that happen to them in the plot.

If your protagonist has just faced down a killer and shot him or her, I’d like to know how he feels about it. Is he exhilarated or does he feel guilt? Or is she just plain exhausted by what she’s gone through? If your protagonist was kidnapped and threatened, brutalized, perhaps, when she escapes from the situation, does she begin to feel as if she must now always look over her shoulder? Can she ever feel safe again? Does she have nightmares about what happened to her?

I addressed this issue in Dead Write, where Claudia Rose was still suffering emotionally from traumatic experiences she’d undergone in the previous book, Written in Blood. Having lost a friend to a brutal killer, and after witnessing violent death, and being forced into other frightening situations, Claudia is depressed. She tries to hide it by withdrawing, but the distance she creates causes uneasy ripples in her relationship with her lover, Joel Jovanic. The trauma also brings up painful old memories of a childhood situation that continues to haunt her.

Our protagonists are expected to have a character arc and to have learned something through their experiences. By using what happened in one book as a stepping stone to Claudia’s emotional growth in another, I was able to add to her arc and give her character more humanity. Humans suffer and hopefully, we grow from it. Our characters should, too.



***

Last Writes is out NOW!

What does an old stuffed bunny have to do with a fundamentalist religious cult and a forensic handwriting expert?

Erin Powers is a member of a religious sect, living in an isolated compound called the Ark. Now her husband and young child have disappeared, leaving behind a cryptic note with a terrifying message. In desperation, Erin seeks help from her estranged sister, Kelly Brennan, who in turn enlists the aid of forensic handwriting expert Claudia Rose. Seizing on an unexpected opportunity to use her professional skills, Claudia becomes one of the few outsiders ever to be invited inside the cult compound. With time fast running out, Claudia must uncover the truth about Kelly’s missing niece before the prophecy of a secret ancient parchment can be fulfilled and a child’s life is written off for good…


Last Writes: A Forensic Handwriting Mystery


 
 
 
 
 
Reblogged from Susie Kline

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